SHADOWS

Moon shadows. Sun shadows. Street light shadows. All it takes is a point light source that reveals the world to our eyes, while casting into shade those places not illuminated. The light examines, while the shadows add mystery. And definition. And design.

I have worked extensively with shadows as a compositional tool during the last few years, and here I present some of my favorite photographs from this era of my life.

GINGERBREAD

On the end of a sunny day in March, the sun was shining warmly upon the land, with trees casting their organic shadows across the faces of buildings. I especially liked this old farmhouse, which had just a touch of gingerbread trim left from an earlier era.

LOCATION: Central Michigan, USA

SHADOW PLAY

Spring shadows crossing a snowy field, then gliding up the front and roof of a house. These are the kinds of compositions I notice, putting a subject in a whole new light.

LOCATION: Mormon Row, Grand Teton National Park, Wyoming, USA

SNOWSTORM IN A REMOTE VILLAGE

While visiting Newfoundland in midwinter, we stayed in a cozy home once used as a cod fisherman’s residence. I walked out at night during a heavy snowstorm and photographed homes and a church in the village. The falling snow leaves a slight texture in the sky, and the warmth of lights coming from inside the house lend a human touch. There is an air of mystery in this photograph that encourages repeated viewing.

LOCATION: Dunfield, Newfoundland, Canada

WINTER NIGHT BY THE SEA

On a February trip to Newfoundland we stayed at an old house right along the Atlantic shore in a tiny fishing village. It was magical. Then it started snowing. I took this picture with a very long exposure to blur the snowflakes, which adds an interesting texture to the dark background.

This picture is one of the rare pictures where I worked on the scene extensively using Photoshop. I modified the color that came from the sodium vapor street lamps and chose instead to bring the red colors and the snowy landscape back to what they look like in the daytime, and I think it looks painterly. It is my interpretation of the scene, and I like the feeling of it.

LOCATION: Dunfield, Newfoundland, Canada

DARKNESS ON THE EDGE OF TOWN

Returning late from a snowshoe trip to the Mount Baker area, we stopped in the small town of Maple Falls to get a sandwich and gas. It was quiet, and the darkness beyond the brightly lit gas station reminded me of the paintings of Edward Hopper–one of my favorite American artists. I carefully composed the photograph in several ways, and this turned out to be my favorite. The name for the photograph comes from a Bruce Springsteen album, which has some of the same thematic elements as this photograph: the power of darkness, the lure of the open road, and the magic and threat of night.

LOCATION: Cascade Mountains, Washington State, USA

PASSAGE

Utah’s Nine Mile Canyon is known for the petroglyphs and pictographs along its some forty mile route. But on this autumn day, an old cabin captured my lens. The mind has to puzzle out what is going on here, and that is part of the mystique of this picture.

LOCATION: Nine Mile Canyon near Price, Utah, USA

CURVE IN SPACE AND TIME

At the end of a spectacular Great Plains sunset, I had just finished photographing a grain elevator with a wash of sunset warmth. Leaving, I immediately crossed these railroad tracks, which reflected the orange and magenta colors in the sunset. I quickly turned the vehicle around and returned to photograph this wonderful curve in the universe. Grace in steel and light and darkness.

LOCATION: Boise City, Oklahoma, USA

STREETLIGHT SHADOWS ON SNOW

It was the dead of winter with a fresh layer of snow upon the ground. I was tired from driving home at night, and stopped at a rest area for a few moments of respite. There I noticed the orange sodium vapor lights casting their eerie glow upon the snow, with tree shadows adding grace and lines to the scene. I spent a long time trying to get the perfect composition without disturbing the snow, and this was my favorite for its organic lines and rich color.

LOCATION: Central Michigan, USA

TULIPS IN SUNSET GLOW

On a spring visit to Alaska, where my brother and his wife have raised a family, I noticed the warm sunset light glowing on the walls. I picked up a camera and began photographing the shadows and patches of light all over the house. When my sister-in-law saw what I was doing, she held up a vase of tulips to create these shadows on the wall.

LOCATION: Chugiak, Alaska, USA

BLUE WINDOW AND ADOBE SHADOWS

I like visiting Taos in October, when the warm, low angle sun sets the adobe afire with color. In this photograph, I captured a classic blue-framed window at the end of a crystalline day, with delicate leaf shadows adorning the adobe, as if painted by an artist.

LOCATION: Taos, New Mexico, USA

OCTOBER IN SANTA FE

With the aroma of pinyon logs burning in fireplaces, the cottonwoods sifting golden light through autumn leaves, and the piercing blue sky, Santa Fe is a special place in October. While browsing the art galleries along Canyon Road in late afternoon, I came upon these flowers and their shadows at an adobe house. This photograph brings back fond memories of a wonderful place and time.

LOCATION: Santa Fe, New Mexico, USA

RAINIER AUTUMN

I was high on a ridge at sundown, when the sun was casting long autumn shadows on the colorful autumn meadow. The fir trees, with their pointed tops, create a strong graphic statement.

LOCATION: Paradise, Mount Rainier National Park, Washington State, USA

NIGHT SHADOWS ON AN ADOBE CHURCH

San Francisco de Asis Mission Church is one of the finest photographic subjects I have ever encountered. In the course of one October day, I returned three times to photograph the church under different lighting conditions. This photograph is among my favorites: taken at night, the adobe walls are graced with shadows cast by a streetlight shining through cottonwood leaves. It has an interesting juxtaposition of shadows and shape and the texture of adobe, and even has stars overhead.

LOCATION: Taos, New Mexico, USA

SHADOWFAX

Shadow of a car moving fast on a Michigan highway in the late light of an early autumn day.

LOCATION: Central Michigan, USA

DANDELION TWILIGHT

While camping in Hell’s Gate State Park, I noticed how the occasional vehicle passing by my tent illuminated the dandelion seedheads in the grass. I loved the backlit look of the dandelions and the shadows cast by the trees, so I employed my van as a photo prop and set up this picture at deep twilight.

LOCATION: Lewiston, Idaho, USA

AMISH BARN IN WINTER

This is a recently built Amish barn in Michigan. I love the simple lines of it, suitable for the people who built it, with functionality foremost and certainly no embellishment. Look at the lines of the walls and roof and shadows: how they intersect each other and how they define the blocks of red and blue colors. This is another in my series studying how light falls on buildings, inspired by Edward Hopper’s paintings that worked with this theme.

LOCATION: Central Michigan, USA

BLUE SHADOWS

Amish homes near my Michigan winter home are austere, with white paint and no superficial adornment, including flower beds or foundation plantings (interestingly, many have bird feeders outside the windows to bring color and life into their lives). In this photograph, I saw the blue shadow at the end of the day crossing the simple white house and thought it added a gaudy and unexpected touch.

LOCATION: Central Michigan, USA

All of my photographs are available for sale as prints, either on cotton rag paper or on metal. Go to http://leerentz.com to see my entire catalog. If you would like one of the photographs shown here in the size I have listed below, you have the option of ordering it through PayPal.

SHADOWS PHOTOGRAPHS FOR SALE

The photograph shown to the left is simply an example; any of the above photographs are available for ordering. Please indicate which of the above photographs you would like to order. This is a 16 x 24″ metal print on aluminum with high gloss surface and incredibly rich and accurate color, ready to hang with no picture frame necessary (slightly rounded corners, stands about 3/4″ out from the wall for a floating, modern appearance). You can see a much larger selection of print sizes and types at my website: http://leerentz.com. Shipping is free; sales tax will be added for Washington State residents. I am glad to answer any questions at lee@leerentz.com

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TAKING OVER MALHEUR

We “took over” Malheur National Wildlife Refuge for one beautiful late October morning when we were the only visitors. The photographs here were taken during those enchanted hours.

Coyote on Road in Malheur National Wildlife Refuge
Coyote trotting along the Central Patrol Road in Malheur National Wildlife Refuge

The spicy scent of sagebrush fills the morning air. Mist rises from wetlands teeming with waterfowl. A Coyote trots across a meadow with a purposeful gait. In a burst of energy a cloud of thousands of dazzling white Ross’s Geese take to the air in a frenzy, only to settle back down a minute later. The quiet returns.

These are among my fond memories of Malheur, based on numerous trips to the remote wildlife refuge over the last 25 years. Malheur and its setting is a slice of the old West, quiet and sparsely populated and much loved by residents and visitors alike.

Malheur National Wildlife Refuge was created in 1908 by Republican President Theodore Roosevelt “as a preserve and breeding ground for native birds.” This immediately followed an era in which plume hunters killed all the Great Egrets in the Malheur area in order to obtain feathers for a women’s hat craze of the era. Which, of course, illustrates why regulation of natural resource harvests came to be: if everyone has unlimited access to harvest what they want, the resource inevitably disappears. This has been true of virgin forests, Passenger Pigeons, whales, Beaver, and every other form of nature that has an economic value.

Foggy Autum Morning along Central Patrol Road in Malheur Nationa
Central Patrol Road on a foggy autumn morning

Prior to the refuge, Indians inhabited the Malheur region for 15,000+ years, leaving evidence of their camps and graves in what became the refuge headquarters area. Eventually, Malheur became a case study in mistreatment of Indians: a Malheur Reservation was created by the federal government in the 19th Century, but that was followed by a chipping away of the reservation to give land to settlers. Treaty hunting and fishing rights were abrogated. Eventually, the whole tribe was forced to march in snowy weather, without enough food, over two mountain ranges all the way to the Yakama Reservation in Washington. Many died along the march and in their years of exile. A sad and typical tale of mistreatment of our first peoples.

The Great Depression hit America with an iron fist. In 1933, President Franklin Roosevelt responded with the Civilian Conservation Corps, a program to put young people to work on conservation projects all around America. Shortly after that, Malheur National Wildlife Refuge received three CCC camps, and over 1,000 young men worked on the refuge over seven years. They built dikes and dams and roads and fences. They constructed four fire towers, quarried the stone and built the beautiful headquarters buildings, and started Page Springs Campground. Every visitor today can see the dramatic results.

Mule Deer in Car Headlights in Malheur National Wildlife Refuge
Mule Deer crossing road, illuminated by my car headlights

For all its conservation accomplishments, the CCC also had a major economic impact upon Burns and other surrounding communities by spending $15,000 per month in those towns on supplies, rentals, and payroll. It was a win/win for everyone involved. Perhaps the biggest accomplishment was in giving young men jobs at a time of near-hopelessness; this instilled a work ethic in these young men, who later became the heroes who won World War II.

In sum, Malheur National Wildlife Refuge is one of the preeminent conservation success stories in America, with two of my favorite presidents–Theodore and Franklin Roosevelt–contributing to its success. Over the decades, Malheur became a legendary location for birders and other outdoor recreationists, including hunters and fishermen. I consider it one of my favorite landscapes in North America, blessed by its remoteness, beauty, silence, and wildlife. People of the region came to love it, and there was a good agreement on a management plan that was hammered out between ranchers, naturalists, hunters, and other stakeholders that was considered a model for refuges across America.

Female Ring-necked Pheasant at Malheur National Wildlife Refuge
Female Ring-necked Pheasant at Malheur NWR

Then came the Bundy occupation of the refuge in the first days of 2016. A group of armed state’s-rights zealots took over the refuge headquarters, and occupied the beautiful CCC buildings for over a month before finally leaving. Their occupation disrupted the good work of the refuge, created division across America, made a mess of the place, and included thefts of equipment. One occupier died while reaching for a gun at a roadblock. For all this, a runaway and misguided jury refused to convict the perpetrators on a single count–a travesty of justice that still makes me incredibly bitter.

There is a movement in rural parts of the West to give away our national forests, national parks, national wildlife refuges, and other federal lands to the states. Why? Because many people want local control of the land so that they can clear cut more timber, strip mine more coal, loosen environmental regulations, and hunt, graze, fish, and trap to their heart’s delight. I vehemently disagree.

Cattle Grazing on a Ranch near Malheur National Wildlife Refuge
Cattle grazing on ranch lands adjacent to Malheur National Wildlife Refuge

If states were given the land, they would sell off much of it to private companies, and access by hunters, hikers, fishermen, and other recreationists would be either denied or made expensive. For example, on Weyerhaeuser land in Washington State, access that was once free or low-cost has now become expensive, with a family camping permit for a year costing $300: Weyerhaeuser Fees 2016. If land was sold off by the states, we would end up with a patchwork of permit systems that would be costly for families to access the land. I can understand the position of Weyerhaeuser: before the permit system, they had a lot of cases of illegal dumping and vandalism on their land–just as we would have in the national forests if there were no rangers on patrol.

Mule Deer at Deep Dusk Lit by a Headlamp
Mule Deer doe at deep dusk lit by my headlamp

I also have concerns about potential subdivisions in the forest. If land was sold off to developers, many of our beautiful forests and lake shores would become housing developments–nice for those who live there but a blight on the landscape for those of us used to the expanses of natural beauty we now enjoy–and that we now own. Who would pay for fire suppression for all these new developments? The federal government? I can’t see the states doing it and I certainly don’t think that the owners of these forest homes would want to pay the thousands of dollars per year for each home to have special fire insurance to fund large scale firefighting efforts. So I suspect that the Forest Service would end up providing free firefighting services to save homes all across the West.

These lands represent our national heritage, and belong to all of us. We paid for them and have cared for them for over 100 years. When people say that local people could manage the land better than professional rangers, foresters, wildlife managers, and other biologists, what they are really saying is that they want to make money by taking timber, minerals, and grazing at little or no cost to themselves.

Foggy Autum Morning along Central Patrol Road in Malheur Nationa
Central Patrol Road near P Ranch on an October morning

For example, Cliven Bundy has grazed his cows on federal land for years and refuses to pay the over $1 million in fees that have accrued since the 1990s. He thinks that he should be able to graze his cattle on public land for free. Anyone who has been paying attention to the conservation battles of the last century knows that where there are limited resources–in Bundy’s case, grass for his cattle–unlimited and unregulated use will inevitably ruin the resource. That’s why we have grazing allotments that ranchers pay for, and why we have professional grazing managers to determine how much grazing the land itself can allow.

This is a sad new chapter in our history; anyone who wants to read more about it can refer to the links at the bottom of the weblog. I, for one, intend to stand with our finest conservation presidents, Republican Theodore Roosevelt and Democrat Franklin Roosevelt, to preserve our shared national heritage.

Mule Deer Doe in Malheur National Wildlife Refuge
Mule Deer doe wet with heavy morning dew

But enough about armed thugs and their bad ideas. Malheur is still there, with its vibrant beauty ready to overwhelm visitors. We were heading home from an extended southwestern trip in November of 2016, long after the occupation had ended but before the headquarters reopened to visitors. Unarmed, except with cameras, we took over the refuge for a morning, as we were virtually the only people enjoying its silent vastness. The photographs here are all from that brief time in a Shangri La of the old west, during our enchanted takeover.

To view more work by photographer Lee Rentz, go to Lee Rentz Photography. Photographs are available for licensing.

To learn more about Malheur National Wildlife Refuge, go to Malheur NWR, Malheur Occupation Aftermath, Conservation Setbacks, Bundy Grazing Controversy, and Portland Audubon: Malheur.

Coyote on Road in Malheur National Wildlife Refuge
Coyote crossing Central Patrol Road

Buena Vista Ponds in Malheur National Wildlife Refuge
View from Buena Vista Ponds toward an escarpment and mesa

Autumn Textures in Malheur National Wildlife Refuge
Textures and colors of grasses and willows

View from Buena Vista Overlook in Malheur National Wildlife Refu
View from Buena Vista Overlook across the expanse of Malheur

Road through Malheur National Wildlife Refuge
Road near Buena Vista Ponds

Malheur National Wildlife Refuge, Oregon, USA
Vast seasonal wetlands in Malheur NWR

Coyote Hunting in Meadow in Malheur National Wildlife Refuge
Coyote in a wet meadow, alert to the intruder

Foggy Autum Morning along Central Patrol Road in Malheur Nationa
Storm clouds in the distance, with sunlit meadows in the foreground

Coyote on Road in Malheur National Wildlife Refuge
Coyote pausing to look back along the road

 

 

SPOOKY REST AREAS LATE AT NIGHT

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After miles of drizzle and fog on an early December night, I needed to stop for a break. A blue rest area sign caught my headlights, and I decided to pull over two miles ahead. Rolling to a stop in front of the restroom building with only one other car visible, I scanned the grounds for potential trouble, then got out of the car, carefully locked it, and went inside. All was quiet, and nothing untoward happened.

Tree Shadows Crossing a Snowy Winter Landscape in MichiganI took the photographs in this weblog post in three different rest areas during the winter of 2014/2015.

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Plains Indian Tipi Motif in a South Dakota Rest Area

For me, visits to highway rest areas are often like that: a little spooky and unsettlling, especially late at night. When I leave the comfort zone of my vehicle I make myself more vulnerable, but usually the short stop is uneventful and barely registers in my memories. It is worth remembering, however, that danger can sometimes lurk in quiet and remote places.

Shortly after I drove through Minnesota on my way to Michigan, I read a news story about a young man from Washington State who had been murdered execution-style around midnight by another man from the same state–in Minnesota’s Elm Creek Safety Rest Area. Someone reported the murder, and a red SUV speeding away from the rest area. That led to a 115 mph chase in which the suspect was shot and killed by police after crashing his vehicle in the median and emerging with a gun. Since both men were dead, the circumstances and motives were unknown. Apparently my apprehension about stopping at night is justified …

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Tree Shadows Crossing a Snowy Winter Landscape in Michigan

While lying in bed this morning and thinking about writing this weblog post, I remembered a story from long ago. It seems that two guys I knew in grade school and junior high had moved to the Boston area and were working in a camera store. According to the news accounts, they forced a coworker to accompany them to a rest area, where they robbed him and stabbed him to death. I had repressed this memory for decades until I started writing this story, then it popped into my mind like a nightmare. The thing was, I could understand how one of the boys could end up as a killer, because he had always been a mean little snot, but the other kid was just a sweet, normal boy who apparently followed the other into a life of horror.

Plains Indian Tipi Motif in a South Dakota Rest Area

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Tree Shadows Crossing a Snowy Winter Landscape in Michigan

Those stories and others like them feed the fear factor in my brain, but they also gave me some of the inspiration for this series of photographs. These pictures can be seen as beautiful in their own right, but they also have an edge of spookiness that is appropriate for the subject.

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Signs and Parking Lot in Rest Area along Interstate 90 in South

Tree and Photographer Shadows Crossing a Snowy Winter LandscapeAnd if you see a photographer late at night in a rest area, please let him quietly go about his work. He really doesn’t want to talk to strangers at midnight.

Crossing_America_December-120

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To see thousands of my photographs in large file sizes for use in magazines or other printed materials or electronic media, go to my NEW website at Lee Rentz Photography or go to my Flickr Photostream.